DateProject TitleArtistBinding Method
11/20252026 CalendarSvenja TongCoil Binding
10/2025Nomad Notes Issue 3: OverlandAn TranSingle section binding + Blind debossed hardcover
08/2025Oi Man Tsuen 愛民邨 (Second Version)Amandine Vabre ChauSaddle Stitch Binding
04/2025Nomad Notes Issue 2: In Search Of...Siobhan ChoSingle section binding + Blind debossed hardcover
01/2025長物 Superfluous MattersRose WeiFrench fold + Perfect bound + Debossed hardcover
09/2024Taipei, and LondonAnna LiuRisograph printed postcards on die-cut box
08/2024Nomad Notes Issue 1: Lost in TimeSiobhan ChoSingle section binding + Blind debossed hardcover
07/2024Mikan EnikkiStudio ATOFSingle section binding + Foil blocked hardcover
06/2024IKEA LoungingcanfishflyCoptic binding + Foil blocked hardcover
05/2024Oi Man Tsuen 愛民邨Amandine Vabre ChauPamphlet stitch with thread
04/2024HND (Haneda)Black SkewCoil Binding
11/2023Everywhere I’ve been in the last yearKoko MorrillFolded zine with attachment
11/2023Ryu Issue 2Chisa KubotaPamphlet stitch with thread
10/2023London Street FighterElizabeth LumFolded instant zine with poster
10/2023Dear John,Victoria LiCoptic Bound + Swiss brouchure style cover
10/2023Ryu Issue 1Chisa KubotaSaddle stitch with thread
07/2023HangoverRose WeiFolded instant zine set with posters
03/2023Moments Before TragedycanfishflySingle section binding + Foil blocked hardcover
03/2023BreatheSvenja TongPamphlet stitch with thread
02/2023Hundred FeelingsRose WeiPerfect Bound
10/2022Entering My Gardencanfishfly, Svenja TongCoptic Bound with foil blocked cover


長物 Superfluous Matters
by Rose Wei



The existence of superfluous matters is perhaps, to contain our inappropriate, overabundant thoughts.
“Superfluous Matters” by Rose Wei is a collection of poetry, proses and images. Objects of indefinite forms linger within pages, they softly speak about moments, fragments, and beliefs that seem to slip into irrelevance.

Colours emerge within French-fold pages, leaving only b&w text and images on the surface. Readers are confronted with the choice of holding on or destroying the book, making it as superfluous as the very objects it seeks to describe.

長物的存在,或許是為了寄放非分的、多餘的思緒。

Rose 創作的《長物》集成了詩歌、散文與圖像。不絕對的物件在書頁間之間游離,細說著那些似乎逐漸成為無關緊要的過去,片刻和信念。顏色隱匿於摺頁之間,表面只剩下黑白圖文。當讀者為了窺探內容而選擇保存或摧毀書籍時,書本也將成為一件「長物」。


134pp, Edition of 50. Risograph printed with Black, Red, Green, Medium Blue, Metallic Gold, Fluorescent Pink, Aqua, Yellow ink. Perfect bound with glue + inner french fold pages; cased in a blind debossed hardcover, outer images formed by a unique bitmap.Edited by Sheryl Lynne Tan
Production design & 
Handbound by Brian Yip
Layout designed by Svenja Tong